Neon’s latest film, “Babes,” directed by Pamela Adlon, has seen a significant expansion in theaters following its initial release. The film, starring Ilana Glazer and Michelle Buteau, revolves around the story of inseparable childhood friends who navigate the complexities of adulthood. With a strong opening last week on 12 screens, “Babes” has now expanded to 590 screens and has secured the 9th spot at the domestic box office. The film has recorded an estimated $1.06 million in a three-day weekend, with a cumulative total of around $1.29 million. Over the four-day Memorial Day weekend, the gross has reached approximately $1.23 million, with a cume of $1.46 million. The success of “Babes” is a testament to the compelling narrative and performances that have resonated with audiences.
Aside from Neon’s “Babes,” other independent films have also made a mark at the box office. Neon’s “La Chimera,” directed by Alice Rohrwacher, has been gaining momentum with its eccentric storytelling. The film, which features Josh O’Connor, has accumulated $822k in its eighth week on 20 screens. Another noteworthy indie film is A24’s “I Saw The TV Glow,” which has seen an estimated $514k in a three-day weekend and $642k over the four-day holiday weekend on 458 screens. This 1990s-set queer coming-of-age film by Jane Schoenbrun has generated a cume of nearly $2.79 million in its fourth week, indicating its enduring appeal to audiences.
Among the new releases, Marco Bellocchio’s “Kidnapped: The Abduction of Edgardo Mortara” has made a promising start with earnings of over $14k in two NYC theaters over three days. With an additional $18k over the four-day holiday weekend, the film has garnered positive reviews from critics and audiences alike. The historical drama, set in 1858 in the Jewish quarter of Bologna, delves into the controversy surrounding the abduction of a six-year-old boy by the Pope’s soldiers. As the film prepares for a wider release, its engaging narrative and strong performances are expected to draw in more viewers.
In its fourth weekend, Sideshow/Janus Films’ release of Ryusuke Hamaguchi’s “Evil Does Not Exist” has maintained its momentum with an estimated gross of $100.9k on 138 screens over the three-day weekend. Similarly, Ethan Hawke-directed “Wildcat” from Oscilloscope has seen steady earnings, with an estimated $79k+ over three days and $100.7k over four days. The Flannery O’Conner biopic continues to captivate audiences and has a cumulative total of about $385k in its fourth week. These holdovers exemplify the enduring appeal of independent cinema and the power of storytelling to engage and move viewers.
The box office landscape for indie films is vibrant and diverse, with a mix of debut features, historical dramas, and compelling narratives attracting audiences across the country. The success of films like “Babes,” “La Chimera,” and “I Saw The TV Glow” underscores the importance of original storytelling and unique voices in cinema. As these films continue to make waves at the box office, they not only entertain but also challenge and inspire viewers, making a significant impact on the film industry as a whole.
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