Over the weekend, the debut of the serial killer thriller “Strange Darling” and the poignant comedy “Between The Temples” caught the attention of moviegoers. These new releases added a refreshing twist to the usual lineup, garnering positive feedback and attracting audiences nationwide. “Strange Darling,” produced by Magenta Light Studios, took viewers on a thrilling journey where a one-night stand turns into a serial killer’s brutal murder spree. Starring actors like Willa Fitzgerald and Kyle Gallner, the film managed to pull in $1.14 million across 1,135 theaters, marking a successful opening weekend. On the other hand, “Between The Temples,” distributed by Sony Pictures Classics, brought a different flavor to the screen with its heartfelt storyline and talented cast led by Jason Schwartzman and Carol Cane. The $677.9k opening on 576 screens for this film by Nathan Silver proved to be a promising start, leaving audiences impressed and wanting more.
Meanwhile, the re-release of Coraline continued to captivate audiences, bringing in a sizeable three-day weekend projection of $5+ million. Celebrating its 15th Anniversary through Fathom Events, Henry Selick’s dark and imaginative animated film based on Neil Gaiman’s novella showed no signs of slowing down. With a cumulative total of $22.5 million on 1,472 screens, Coraline secured its spot as the seventh top-grossing film at the domestic box office. This re-release proved to be a delightful treat for both new viewers and longtime fans of the beloved story.
In addition to the new releases, several holdovers made significant strides in the box office landscape. “Kneecap,” an Irish rap trio feature acquired by SPC at Sundance, crossed the $1 million mark with a solid performance of $27k on 34 screens in its fourth week. Didi from Focus Features and A24’s Sing Sing continued to impress with their respective earnings, showcasing resilience and enduring appeal among audiences. Notably, the prison drama starring Colman Domingo, “Sing Sing,” raked in $242k on 191 screens, reaching a cumulative total of $1.59 million. These films maintained their momentum and continued to draw crowds in key markets like New York and LA.
Delving further into the weekend releases, “Good One” by India Donaldson expanded its presence to 31 theaters in 13 markets, earning $52.2k in its third week. The film’s cumulative total of $157.2k showcased steady growth and promising prospects for future expansions. “My Penguin Friend” by David Schurmann, distributed by Roadside Attractions, generated a three-day gross of $454k on 877 screens, crossing the $2 million milestone in its second week. Additionally, “Cuckoo,” a quirky Alpine horror film from Neon, starring Hunter Schafer and Dan Stevens, continued its successful run with $177k on 250 screens and a cumulative total of $6.05 million in its third week. These diverse offerings added depth and variety to the weekend box office lineup, catering to a wide range of moviegoers’ tastes.
Notably, the horror smash hit “Longlegs” featuring Nicolas Cage maintained its strong presence in the box office, securing its position as the highest-grossing movie domestically. In its seventh week, the film continued its impressive run, grossing $321k for a cumulative total of $78.6 million. The enduring popularity of “Longlegs” highlighted the enduring appeal of horror films and the star power of Nicolas Cage, drawing audiences back to theaters week after week.
The weekend box office landscape showcased a diverse array of offerings, from thrillers and comedies to animated classics and horror films. Through strong performances and promising debuts, the industry demonstrated its resilience and ability to engage audiences with captivating storytelling and talented actors. As moviegoers continue to flock to theaters in search of entertainment and escapism, the box office remains a vibrant and dynamic space for creativity and cinematic experiences.
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