In the ever-evolving landscape of independent cinema, few directors are as adept at weaving complex narratives that challenge both artistic boundaries and personal introspection as Atom Egoyan. His latest venture, “Seven Veils,” boasts the compelling performance of Amanda Seyfried as Jeanine, a theater director who finds herself confronting her past while navigating the intricacies of
Box Office
In an era where blockbuster franchises typically dominate box office earnings, this past Martin Luther King Jr. weekend has showcased a remarkable resilience from independent films. Contrary to the expectations of a high-grossing holiday, it was indie films that emerged as major players, with several titles gaining traction and audience interest. Among the noteworthy performances,
As we approach Martin Luther King Jr. weekend, the box office outlook appears muted, with projections suggesting a rather lackluster performance for new releases. The landmark weekend, historically known for stellar box office receipts, has been subdued in recent years, largely due to the shifting dynamics in moviegoing habits post-COVID. Entering this year, the most
In a landscape filled with numerous films portraying post-apocalyptic scenarios, “When I’m Ready” stands out by marrying the themes of romance and existential dread in a unique narrative. Directed by Andrew Johnson and penned by Andrew Ortenberg, this film is set against the backdrop of extinction as a pair of young lovers embark on a
The preliminary data released by Unifrance reveals a concerning downturn for French cinema in the international box office during 2024, with an 11% reduction in both admissions and revenue compared to the previous year. Despite these figures appearing alarming at first glance, a deeper examination of the context surrounding the numbers suggests that this decline
As the clock ticks down to February 14, 2025, excitement is buzzing around the impending release of Disney/Marvel Studios’ *Captain America: Brave New World*. Tracking services, such as Quorum, are indicating an impressive box office haul, projecting earnings between $86 million and $95 million over the traditional three-day weekend and possibly surpassing the $100 million
Sean Baker stands as a compelling voice in contemporary cinema, fiercely championing the theatrical experience and preservation of the film medium. Renowned for his meticulous dedication to shooting on celluloid, Baker emphasizes the artistry embedded in traditional filmmaking—an approach he vehemently defends against the rising tide of digital alternatives. He believes that the essence of
The recent release of Lionsgate’s **Den of Thieves 2: Pantera** marked its entry into the competitive early January box office, with the film bringing in an impressive $1.35 million from previews that commenced at 6 PM. This result indicates a robust start, outpacing the $950,000 garnered by the original film in its 2018 previews by
The release of the movie adaptation of the beloved Broadway musical *Wicked* has set an unprecedented standard in the realm of Premium Video On Demand (PVOD). After making its home premiere on December 31, Universal Studios reported a staggering $70 million in sales within its first week. This remarkable figure isn’t just impressive—it’s a testament
The recent Pacific Palisades wildfire has sent shockwaves through the entertainment capital of the world, Los Angeles. As one of the busiest box office markets in the nation, the closure of several cinemas has significant implications not only for local moviegoers but also for the broader industry. In this analysis, we will explore the ramifications
On a memorable evening held at the Golden Globes, director Jon M. Chu graciously accepted the award for Cinematic and Box Office Achievement for his work on the much-anticipated film adaptation of “Wicked.” This new category acknowledges films that not only achieve significant box office success but also resonate deeply with audiences around the globe.
As the entertainment industry gears up for the first weekend of 2025, indie films are grabbing their share of the limelight alongside Hollywood heavyweights during this bustling awards season. With the Golden Globes just around the corner and Oscar nominations set for January 17, the indie film landscape is bustling with new releases that are
As awards season unfolds, the film industry is abuzz with anticipation, and among the contenders, “From Ground Zero,” Palestine’s official submission for the Best International Feature Oscar, stands out. Set to premiere this weekend across approximately 70 AMC locations in major markets and some art-house theaters, including iconic venues like the Quad in New York
As the newly released films find their footing in the box office, this first weekend of the year promises to be more successful than the same period last year. Disney’s highly anticipated release, Mufasa: The Lion King, is currently engaged in a close competition with Paramount Pictures’ Sonic the Hedgehog 3. Estimates suggest that Mufasa
The dawn of January 1, 2025, heralded a promising start for the film industry, with an impressive $42.9 million in box office gross. This figure marks the highest earnings for the New Year’s holiday since the onset of the COVID-19 pandemic, showcasing not only a recovery trajectory but also a reinvigorated audience appetite for cinematic
The North American box office has long been a barometer for not only cinematic quality but also audience taste. Since 1977, a diverse array of films has roared their way to the top, showcasing the shifting landscape of movie-making. From beloved animated features to action-packed superhero sagas, the box office stalwarts reflect changing cultural narratives
The Broadway theatre scene is often seen as a vibrant barometer of cultural life in New York City. This year’s holiday season was no exception, characterized by a mix of extraordinary successes juxtaposed against significant setbacks. While many shows flourished over the festive period, one notable revival stumbled, begging an examination of the complexities that
The 2023 Christmas season proved to be a pivotal moment for indie films, reigniting interest in theatrical releases that cater to mature audiences. Robert Eggers’ adaptation of “Nosferatu,” under the Focus Features banner, has taken a notable bite out of the holiday box office, marking a significant shift in cinematic trends. Alongside James Mangold’s “A
As the dust settles after the holiday season, Warner Bros. is making significant adjustments to its upcoming release calendar, reflecting an increasingly dynamic and competitive film landscape. One standout change involves the highly anticipated sequel to Matt Reeves’ The Batman, which has been moved from its original release date of October 2, 2026, to October